The ROM is currently showing its Mesopotamia exhibition, with treasures from the British Museum, currently on until January 5, 2014. So there's plenty of time to see it, but I urge no-one to miss it. Stunning pieces from this cradle of civilization just left me gobsmacked. The relief sculptures seemed to be of almost laser quality, and the scope and imagination of these people left me hungry to learn more.
Just saying...
Oh, then we saw the dinosaurs. OF COURSE.
Showing posts with label history. Show all posts
Showing posts with label history. Show all posts
Wednesday, August 21, 2013
Friday, June 1, 2012
That Old Black Magic Called Geneology
I'm not sure where it will take me, but I'm currently tracking my Italian nonno's (grandfather's) arrival at Ellis Island in 1920, and his home on Rend Avenue, Brooklyn. He was 16 years old. I don't think Rend Avenue exists anymore, but I'm on the hunt for that too.

I'm also following the journey of a non-blood relative, but one who was part of an incredible family tragedy that took place in Pennsylvania. He had married my great aunt, and, after her early death, ended up in Ohio.
Between online newspapers, the Ellis Island Foundation, and ancestry.ca, I hope to find some interesting facts about these American ties.
If I do, I'll be sure to share them here, as I will also share any dead ends I come up against, in the hope of getting answers.
Sigh... If I had a super power, it would be time travel.

I'm also following the journey of a non-blood relative, but one who was part of an incredible family tragedy that took place in Pennsylvania. He had married my great aunt, and, after her early death, ended up in Ohio.
Between online newspapers, the Ellis Island Foundation, and ancestry.ca, I hope to find some interesting facts about these American ties.
If I do, I'll be sure to share them here, as I will also share any dead ends I come up against, in the hope of getting answers.
Sigh... If I had a super power, it would be time travel.
Labels:
family,
history,
illustrated,
u.s.a.
Tuesday, April 17, 2012
Size Doesn't Matter
In the last few years I've started avoiding those big museum or gallery exhibits, I mean the really big league ones. One of the last I attempted was a timed-ticket Van Gogh exhbit in Philadelphia. I just walked in, and walked through, dodging the deep crowds wandering zombie-like with their special exhibit headphones plugged in. The next day I was lucky enough to visit the Delaware Art Museum, not tiny, but not huge, but perfectly wonderful with its famous collection of Pre-Raphaelite Art. Why then would I now settle for anything less than this modestly sized perfection?
Well, curiosity made me attend the Chagall exhibit at the Art Gallery of Ontario recently. But again, I just whipped through it, unable to really take in the splendour of his art. I couldn't get close to anything. As tall as I am, there were too many heads in the way. All my energy was taken dodging others. The Waterhouse exhibit in Montreal was a medium-sized exhibition, appeal wise, and that is part of why I loved it. Damn, I still think about that show.
Why am I going on about this? To introduce my favourite sort of museum or gallery: the small boutique version, whose focus is never going to be King Tut or the French Impressionists, and so will never attract the gazillions that, bless their hearts, can say they've attended, but really... can these shows be enjoyed? Not by me.
The Gardiner Museum in Toronto focuses on ceramics and it does so beautifully. Its history is a short and interesting one, and you can read about it here. For a decade or so it was run by the large Royal Ontario Museum across the street (you remember, where I had Freddy the Fossil identified?). It's independent again, but I have a souvenir of its ROM time hanging framed in my kitchen. I LOVE this poster.
The Gardiner has wonderful pieces, ancient and modern. It's an intimate look at our civilization, and at times its completely gobsmacking. I love the little commedia dell'arte figurines, the snuff boxes, and - of course - the chocolate services from the 18th century. Such tiny cups! Well it's hardly surprising if you consider how costly the newly discovered intoxicant was. Those teeny portions are the complete antithesis of our super-big-gulp servings of soda pops and other drivel. On my last visit to the Gardiner over the Christmas break, I saw an exhibit, The Tsar's Cabinet: The Luxury and Romance of the Romanovs. Stunning, but no wonder there was a revolution. How many hundreds-of-settings services does anyone need? Splendid but slightly sickening. Anyway, to end my ramble, I just wanted to say, if you live here, or if you're visiting, please visit the Gardiner Museum. It's a little gem.
Well, curiosity made me attend the Chagall exhibit at the Art Gallery of Ontario recently. But again, I just whipped through it, unable to really take in the splendour of his art. I couldn't get close to anything. As tall as I am, there were too many heads in the way. All my energy was taken dodging others. The Waterhouse exhibit in Montreal was a medium-sized exhibition, appeal wise, and that is part of why I loved it. Damn, I still think about that show.
Why am I going on about this? To introduce my favourite sort of museum or gallery: the small boutique version, whose focus is never going to be King Tut or the French Impressionists, and so will never attract the gazillions that, bless their hearts, can say they've attended, but really... can these shows be enjoyed? Not by me.
The Gardiner Museum in Toronto focuses on ceramics and it does so beautifully. Its history is a short and interesting one, and you can read about it here. For a decade or so it was run by the large Royal Ontario Museum across the street (you remember, where I had Freddy the Fossil identified?). It's independent again, but I have a souvenir of its ROM time hanging framed in my kitchen. I LOVE this poster.
The Gardiner has wonderful pieces, ancient and modern. It's an intimate look at our civilization, and at times its completely gobsmacking. I love the little commedia dell'arte figurines, the snuff boxes, and - of course - the chocolate services from the 18th century. Such tiny cups! Well it's hardly surprising if you consider how costly the newly discovered intoxicant was. Those teeny portions are the complete antithesis of our super-big-gulp servings of soda pops and other drivel. On my last visit to the Gardiner over the Christmas break, I saw an exhibit, The Tsar's Cabinet: The Luxury and Romance of the Romanovs. Stunning, but no wonder there was a revolution. How many hundreds-of-settings services does anyone need? Splendid but slightly sickening. Anyway, to end my ramble, I just wanted to say, if you live here, or if you're visiting, please visit the Gardiner Museum. It's a little gem.
Monday, April 16, 2012
Through Mind and Hand to Health
I attended a lecture tonight by Judith Friedland, on the history of Occupational Therapy in Canada and its links with and influences from the Arts and Crafts movement. It was inspiring and fascinating.
She's an excellent lecturer, weaving together the historical strands of mental health care, rehabilitation for soldiers after WWI, the gift of pride in one's work, the healing of spirits and bodies through rewarding work for the hands, and so much more. My thoughts were invigorated by those early ward aides, later to be more intensely trained occupational therapists, many of whom were war widows, and the dedication they showed in their training and subsequent postings to all over Canada.
Friedland's book, Restoring the Spirit: The Beginnings of Occupational Therapy in Canada, 1890-1930, is available online at Amazon (although I see they're temporarily out of stock).
She's an excellent lecturer, weaving together the historical strands of mental health care, rehabilitation for soldiers after WWI, the gift of pride in one's work, the healing of spirits and bodies through rewarding work for the hands, and so much more. My thoughts were invigorated by those early ward aides, later to be more intensely trained occupational therapists, many of whom were war widows, and the dedication they showed in their training and subsequent postings to all over Canada.
Friedland's book, Restoring the Spirit: The Beginnings of Occupational Therapy in Canada, 1890-1930, is available online at Amazon (although I see they're temporarily out of stock).
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