Quote of the Day

More of an excerpt really:

"The old and the new, the liberal touch and the patriarchal one, fatal poverty and fatalistic wealth got fantastically interwoven in that strange first decade of our century. Seveal times during a summer it might happen that in the middle of luncheon, in the bright, many-windowed, walnut-paneled dining room on the first floor of our Vyra manor, Aleksey, the butler, with an unhappy expression on his face, would bend over and inform my father in a low voice, (especially low if we had company) that a group of villagers wanted to see the barin outside. Briskly my father would remove his napkin from his lap and ask my mother to excuse him. One of the windows at the west end of the dining room gave upon a portion of the drive near the main entrance. One could see the top of the honeysuckle bushes opposite the porch. From that direction the courteous buzz of a peasant welcome would reach us as the invisible group greeted my invisible father. The ensuing parley, conducted in ordinary tones, would not be heard, as the windows underneath which it took place were closed to keep out the heat. It presumably had to do with a plea for his mediation in some local feud, or with some special subsidy, or with permission to harvest some bit of our land or cut down a coveted clump of our trees. If, as usually happened, the request was at once granted, there would be again that buzz, and then, in token of gratitude, the good barin would be put through the national ordeal of being rocked and tossed up and securely caught by a score or so of strong arms.

In the dining room, my brother and I would be told to go on with our food. My mother, a tidbit between finger and thumb, would glance under the table to see if her nervous and gruff dachshund were there. 'Un jour ils vont le laisser tomber,' would come from Mlle Golay, a primly pessimistic old lady who had been my mother's governess and still dwelt with us (on awful terms with our own governesses). From my place at table I would suddenly see through one of the west windows a marvelous case of levitation. There, for an instant, the figure of my father in his wind-rippled white summer suit would be displayed, gloriously sprawling in midair, his limbs in a curiously casual attitude, his handsome, imperturbable features turned to the sky. Thrice, to the mighty heave-ho of his invisible tossers, he would fly up in this fashion, and the second time he would go higher than the first and then there he would be, on his last and loftiest flight, reclining, as if for good, against the cobalt blue of the summer noon, like one of those paradisiac personages who comfortably soar, with such a wealth of folds in their garments, on the vaulted ceiling of a church while below, one by one, the wax tapers in mortal hands light up to make a swarm of minute flames in the mist of incense, and the priest chants of eternal repose, and funeral lilies conceal the face of whoever lies there, among the swimming lights, in the open coffin."

From Speak, Memory, An Autobiography Revisited by Vladimir Nabakov