Here we disembark one of the cute little ferries that take us to Hanlan's Point, part of the Toronto Islands. Ned Hanlan was a world champion rower, the first Canadian international sporting champion in an individual event. A lovely statue of him welcomes us to the island.
Thursday, July 28, 2011
Wednesday, July 27, 2011
Tuesday, July 26, 2011
Monday, July 25, 2011
McWonderful
One of my favourite things is to visit the McMichael Canadian Art Collection in Kleinburg, Ontario, just a bit north and to the west of Toronto. Set in 100 acres of conserved land, it's a wonder to walk around and photograph. The buildings are made of fieldstone and hand-hewn logs, according to the brochure.
A seat in the lobby made from one half of a tree trunk.
Trees are amazing.
A new and vivid creation.
The main building.
During my last visit to the McMichael Gallery, I made a new discovery: Marc-Aurèle Fortin.
The gallery's website told us:
Marc-Aurèle Fortin: The Experience of Colour, the first major museum exhibition devoted to the artist in more than 45 years, features a hundred or so paintings, prints, drawings and watercolours produced over four decades, between 1909 and 1949.
Fortin indelibly marked the Quebec imagination with the compositions of stately elms and colourful rural scenes for which he is best known. The exhibition presents views of Sainte-Rose, Île d’Orléans and the Charlevoix, Gaspé and Saguenay regions, depictions of the Quebec countryside of his day. It also includes a lesser-known but equally important aspect of his work: cityscapes. These urban views prove him a keen observer of the irreversible changes that modernity was bringing to Montreal in the 1920s and 30s.
The ExhibitionThis exhibition is a tribute to the landscape artist Marc-Aurèle Fortin (1888-1970), who painted for four decades in the rising tide of Quebec and Canadian modernity. The 107 works assembled here testify to his prolific output, from the early paintings done in Chicago, in 1909 and 1910, to the Gaspé and Saguenay region landscapes captured in the late 1940s, before health problems forced him to stop working. While remaining faithful to figurative art as a painter, watercolourist, printmaker and pastelist, he endlessly experimented with colour, the true focus of his inquiry.
In the 1920s and 30s, Fortin’s career took off with the success of his views of Montreal and its harbour and his depictions of large trees. These works earned him recognition in the art world, and this exhibition honours their outstanding quality. You will discover famous pieces and others less well known, all illustrating steps on a remarkable artistic journey marked by experimentation and freedom.
Well, I'm hooked. These small images, stopping just short of story-book charming, were lifted by me from the gallery's website.
Laurentian Landscape, 1919 (or earlier)
Railway Tracks at Hochelaga, 1931 or 1932
Saint-Siméon, 1938
A seat in the lobby made from one half of a tree trunk.
Trees are amazing.
A new and vivid creation.
The main building.
During my last visit to the McMichael Gallery, I made a new discovery: Marc-Aurèle Fortin.
The gallery's website told us:
Marc-Aurèle Fortin: The Experience of Colour, the first major museum exhibition devoted to the artist in more than 45 years, features a hundred or so paintings, prints, drawings and watercolours produced over four decades, between 1909 and 1949.
Fortin indelibly marked the Quebec imagination with the compositions of stately elms and colourful rural scenes for which he is best known. The exhibition presents views of Sainte-Rose, Île d’Orléans and the Charlevoix, Gaspé and Saguenay regions, depictions of the Quebec countryside of his day. It also includes a lesser-known but equally important aspect of his work: cityscapes. These urban views prove him a keen observer of the irreversible changes that modernity was bringing to Montreal in the 1920s and 30s.
The ExhibitionThis exhibition is a tribute to the landscape artist Marc-Aurèle Fortin (1888-1970), who painted for four decades in the rising tide of Quebec and Canadian modernity. The 107 works assembled here testify to his prolific output, from the early paintings done in Chicago, in 1909 and 1910, to the Gaspé and Saguenay region landscapes captured in the late 1940s, before health problems forced him to stop working. While remaining faithful to figurative art as a painter, watercolourist, printmaker and pastelist, he endlessly experimented with colour, the true focus of his inquiry.
In the 1920s and 30s, Fortin’s career took off with the success of his views of Montreal and its harbour and his depictions of large trees. These works earned him recognition in the art world, and this exhibition honours their outstanding quality. You will discover famous pieces and others less well known, all illustrating steps on a remarkable artistic journey marked by experimentation and freedom.
Well, I'm hooked. These small images, stopping just short of story-book charming, were lifted by me from the gallery's website.
Laurentian Landscape, 1919 (or earlier)
Railway Tracks at Hochelaga, 1931 or 1932
Saint-Siméon, 1938
Labels:
art,
illustrated,
toronto
Sunday, July 24, 2011
Reading, Day-Dreaming
My favourite place to read. The light changes constantly and when it's facing right into me, I switch to the other chair and keep reading... or daydreaming... or taking pictures.
Labels:
home,
illustrated
Saturday, July 23, 2011
And So On
"Trout was aware of me, too, what little he could see of me. I made him even more uneasy than Dwayne did. The thing was: Trout was the only character I ever created who had enough imagination to suspect that he might be the creation of another human being. He has spoken of this possibility several times to his parakeet. He had said, for instance, 'Honest to God, Bill, the way things are going, all I can think of is that I'm a character in a book by somebody who wants to write about somebody who suffers all the time.'"
From Breakfast of Champions (1973) by Kurt Vonnegut. I finally read this. If you haven't, don't waste any time. Get thee to a library or bookstore. Or just download it, whatever the kids are doing these days, heh heh. Phil, you were so right!
"It's marvelous... He wheels out all the complaints about America and makes them seem fresh, funny, outrageous, hateful and lovable." The New York Times.
From Breakfast of Champions (1973) by Kurt Vonnegut. I finally read this. If you haven't, don't waste any time. Get thee to a library or bookstore. Or just download it, whatever the kids are doing these days, heh heh. Phil, you were so right!
"It's marvelous... He wheels out all the complaints about America and makes them seem fresh, funny, outrageous, hateful and lovable." The New York Times.
Labels:
fiction
Friday, July 22, 2011
Wednesday, July 20, 2011
Tuesday, July 19, 2011
Guild Inn, Part Seven - the Trees
Labels:
guild inn,
illustrated,
toronto,
trees
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